[Review] 'The Way Back': An Inspiring Story Courtesy of Ben Affleck
- Mar 9, 2020
Finding An Incredible Story: Growing Up With The Golden Age of Pixar
- Mar 9, 2020
[Review] 'Swallow': A Haunting Character Study of a Powerless Woman
- Feb 28, 2020
[Review] 'All The Bright Places': A Hopeful Portrait of Young Love
- Feb 27, 2020
[Review] 'The Invisible Man': Fear Grounded in Reality
- Feb 26, 2020
[Review] 'Fantasy Island' and Its Issues
- Feb 24, 2020
All The Skull Things: In Defense of 'Kingdom of the Crystal Skull'
- Feb 21, 2020
[Review] 'Exit 0'
- Feb 8, 2020
[Review] 'Birds of Prey': Support Your Local Girl Gang
- Feb 5, 2020
You Can't Stop The Music: Favorite Scores of the 2010s
- Feb 5, 2020
Dogtooth Explored
- Jan 7, 2020
How the Golden Globes and BAFTAs Will Shape the Oscars
- Dec 21, 2019
Viva Las Vegas: Why Scorsese's 'Casino' Is a Treasure
- Dec 18, 2019
'Star Wars': Ranked
- Dec 17, 2019
Fly Me To The Hughes: The High-Flying Excellence of 'The Aviator'
- Dec 16, 2019
Golden Globe and SAG Nominations Recap: Who are the Front Runners?
- Dec 13, 2019
[Review] 'Black Christmas': A Fresh, Timely Take on the Slasher Genre
- Dec 10, 2019
[Review] 'Queen & Slim': A Chilling & Beautiful Romance
- Dec 6, 2019
Why 'Alice Doesn't Live Here Anymore' Deserves Our Attention
- Dec 5, 2019
‘The Wolf of Wall Street’: A Comedic and Chaotic Masterwork
- Dec 3, 2019
'Raging Bull': Scorcese’s Magnum Opus Remains a Cornerstone of Cinema
- Nov 20, 2019
Rebecca Ferguson's Rose The Hat in 'Doctor Sleep' is The Coolest Movie Villain
- Nov 18, 2019
[Review] 'Pain and Glory': A Segment of a Life of Peace and Chaos
- Nov 16, 2019
'The King of Comedy': Scorsese's Most Underrated Triumph
- Nov 15, 2019
'After Hours': An Overlooked Martin Scorsese Masterpiece
- Nov 14, 2019
Martin Scorsese Retrospective
- Nov 8, 2019
[Review] 'Doctor Sleep': A Stephen King-Stanley Kubrick Equilibrium
- Nov 8, 2019
[Review] 'Terminator: Dark Fate' Successfully Links Up To The First Two Films of The Franchise.
- Nov 6, 2019
[CIFF Review] 'Knives Out': The Perfect Ensemble
- Nov 5, 2019
The Importance of 'Booksmart'
- Nov 4, 2019
[Review] 'Contact': The Search For Extraterrestrial Life
- Nov 2, 2019
[LFF Review] ‘The Irishman’: A Mournful Elegy for The Past
- Oct 29, 2019
[Review] 'El Camino': Jesse Pinkman's Swan Song [Spoilers]
- Oct 23, 2019
[Review] 'The Death of Dick Long': A Disappointing and Bizarre Comedy-Thriller
- Oct 21, 2019
The Madness and Mythology of ‘The Lighthouse’ [Spoilers]
- Oct 19, 2019
[LFF Review] 'Saint Maud' Is a Haunting Exploration of Female Rage and Isolation
- Oct 18, 2019
[Review] 'Parasite': A Dark, Hilarious, Subversive Masterpiece, That's Bound To Be a Classic
- Oct 18, 2019
The Conscience of Morality in Lars Von Trier's 'The House That Jack Built'
- Oct 14, 2019
[LFF Review] 'The Other Lamb' is a Febrile Nightmare for Cult-Obsessors
- Oct 14, 2019
[LFF Review] 'The King': An Age of Bowl Cuts
- Oct 4, 2019
[LFF Review] 'Monos' is Not Your Typical Coming of Age Film
- Jul 31, 2019
[Review] Move Over Calvin and Hobbes, 'Hobbs & Shaw' is The New Animated Duo In Town
- Jul 30, 2019
[Review] 'The Lion King': Isn't Photorealistic Computer Animation Still Animation?
- Jun 26, 2019
[Short Review] 'Happy Death Day' Reinvents The Horror Genre, Taking Shape as a Fun Slasher
- Jun 25, 2019
[Review] 'The Invitation' is a Display of Karyn Kusama's Brilliance
- Jun 22, 2019
[Review] 'Man of Steel' is The Best Superman Origin Story Yet
- Jun 21, 2019
[Review] 'Greenberg' Shows Us The Conflicts Of Adulthood
- Jun 20, 2019
[Review] 'Badlands' Gives Us Our First Taste Of Terrence Malick's Talent
- Jun 10, 2019
[Short Review] Matt Damon Does His Best Norman Bates Impression In 'The Talented Mr. Ripley'
- Apr 26, 2019
[Review] 'Vox Lux' is a Dazzling Introspection Into Stardom
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