Ashvin

Feb 28, 2020

[Review] 'All The Bright Places': A Hopeful Portrait of Young Love

Ashvin

Dec 18, 2019

'Star Wars': Ranked

Ashvin

Nov 14, 2019

Martin Scorsese Retrospective

Ashvin

Nov 4, 2019

[Review] 'Contact': The Search For Extraterrestrial Life

Ashvin

Nov 2, 2019

[LFF Review] ‘The Irishman’: A Mournful Elegy for The Past

Ashvin

Oct 18, 2019

The Conscience of Morality in Lars Von Trier's 'The House That Jack Built'

Ashvin

Oct 14, 2019

[LFF Review] 'The Other Lamb' is a Febrile Nightmare for Cult-Obsessors

Ashvin

Oct 14, 2019

[LFF Review] 'The King': An Age of Bowl Cuts

Ashvin

Oct 4, 2019

[LFF Review] 'Monos' is Not Your Typical Coming of Age Film

Ashvin

Jul 31, 2019

[Review] Move Over Calvin and Hobbes, 'Hobbs & Shaw' is The New Animated Duo In Town

Ashvin

Jul 30, 2019

[Review] 'The Lion King': Isn't Photorealistic Computer Animation Still Animation?

Ashvin

Jun 26, 2019

[Short Review] 'Happy Death Day' Reinvents The Horror Genre, Taking Shape as a Fun Slasher

Ashvin

Jun 25, 2019

[Review] 'The Invitation' is a Display of Karyn Kusama's Brilliance

Ashvin

Jun 22, 2019

[Review] 'Man of Steel' is The Best Superman Origin Story Yet

Ashvin

Jun 21, 2019

[Review] 'Greenberg' Shows Us The Conflicts Of Adulthood

Ashvin

Jun 20, 2019

[Review] 'Badlands' Gives Us Our First Taste Of Terrence Malick's Talent

Ashvin

Jun 10, 2019

[Short Review] Matt Damon Does His Best Norman Bates Impression In 'The Talented Mr. Ripley'

Ashvin

Apr 26, 2019

[Review] 'Vox Lux' is a Dazzling Introspection Into Stardom

Ashvin

Apr 23, 2019

[Review] 'The Thin Red Line' Transcends a Powerful Message About Humanity

Ashvin

Apr 21, 2019

[Review] 'The Sisters Brothers' Drags, But Still Burns Its Way Into Your Comfort Zone

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[Review] 'All The Bright Places': A Hopeful Portrait of Young Love

'Star Wars': Ranked

Martin Scorsese Retrospective

[Review] 'Contact': The Search For Extraterrestrial Life

[LFF Review] ‘The Irishman’: A Mournful Elegy for The Past

The Conscience of Morality in Lars Von Trier's 'The House That Jack Built'

[LFF Review] 'The Other Lamb' is a Febrile Nightmare for Cult-Obsessors

[LFF Review] 'The King': An Age of Bowl Cuts

[LFF Review] 'Monos' is Not Your Typical Coming of Age Film

[Review] Move Over Calvin and Hobbes, 'Hobbs & Shaw' is The New Animated Duo In Town

[Review] 'The Lion King': Isn't Photorealistic Computer Animation Still Animation?

[Short Review] 'Happy Death Day' Reinvents The Horror Genre, Taking Shape as a Fun Slasher

[Review] 'The Invitation' is a Display of Karyn Kusama's Brilliance

[Review] 'Man of Steel' is The Best Superman Origin Story Yet

[Review] 'Greenberg' Shows Us The Conflicts Of Adulthood

[Review] 'Badlands' Gives Us Our First Taste Of Terrence Malick's Talent

[Short Review] Matt Damon Does His Best Norman Bates Impression In 'The Talented Mr. Ripley'

[Review] 'Vox Lux' is a Dazzling Introspection Into Stardom

[Review] 'The Thin Red Line' Transcends a Powerful Message About Humanity

[Review] 'The Sisters Brothers' Drags, But Still Burns Its Way Into Your Comfort Zone

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